Music production
fromPaste Magazine
14 minutes agoMeet EXO-TECH: An improvisational collective in NYC
EXO-TECH is a collective of musicians led by Sophia Brous and Kimbra, blending diverse styles in a vibrant live performance setting.
The entire indoor journey, from entry to elevator to the 100th floor, has been reimagined as a multi-sensory, immersive environment. The overhaul comes via a collaboration between experiential design firm Journey, multimedia studio Moment Factory and NYC-based design outfit SOFTlab.
The collaboration marries Yener's distinctive vocals with the punchy sound of Madrigal, resulting in a contemporary track that resonates with emotional complexity.
Maryna, the main heroine of Twenty One, has only one wish that her soldier husband Petro comes back alive. She frantically raises tens of thousands of dollars online to buy drones, weapons and power generators for the front line.
Mara Naaman's academic career includes serving as Assistant Professor of Comparative Literature and Arabic at Williams College from 2007 to 2014, and she has held teaching positions at Columbia University, New York University, Hofstra University, and Hunter College.
Carter Shocket stated, 'They kind of felt like they happened and then they were over, like it wasn't a long-lasting kind of project. It was just a flash-in-the-pan kind of thing.'
Drivers were delivering packages in deadly heat with no air conditioning; part-time employees, the majority of UPS' workforce, have been unable to receive benefits. Wages aren't rising at the same rate as the cost of living.
April O'Neil comes down out of City Hall as the ace reporter and then walks into the Hoyt-Schermerhorn station. That secret, that the Downtown Brooklyn station is subbing in for City Hall, is at the heart of an upcoming film series at BAM.
For the Shakers, Dancing is both a means of revelation and a way to do the work of God in the world, Kimerer LaMothe, a dancer and philosopher of religion, said in an interview. To dance is to build heaven on earth.
The exhibition will reflect the loops and the reiterations, the false starts and loose ends of a singular career. It will do so through an apparently simple idea: chronology.
People all saw that there is something new is being attempted here that you've just got to see. I think that is its own reward. In an era where New York's storied Met Opera has faced layoffs, pay cuts, postponed productions, and a controversial financial agreement with Saudi Arabia, forward-thinking artistic direction becomes essential for survival.