Evan Hoffman, the co-director of the show, highlights the challenge of adapting such a beloved film, stating, "It's probably my favorite film of all time... How to make it feel new?" This reflects the difficulty of retelling a classic that has been watched multiple times by audiences.
The Irish Times praised the adaptation as a 'Christ parable' and stated it was 'precisely what we need.' This emphasizes the thematic depth of the stage production, which aims to resonate with audiences on a spiritual level.
Despite its initial positive reception, the adaptation's transfer to London's West End ended swiftly due to poor reviews, showcasing the unpredictable nature of theater. This highlights the risks involved in adapting beloved material, as audiences can be fickle.
After closing in London, the creative team revised their script for the Edinburgh Festival Fringe, refining elements and minimizing the cast, which indicates their commitment to improving the production and ensuring it fits better within a theatrical format.
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