"In that light, perhaps the most impressive thing about Leigh Whannell's new 'Wolf Man' is that - despite being unburdened by the budget and world-building of its predecessors - this deeply un-fun creature feature somehow manages to be every bit as dysfunctional as its studio's other recent attempts to make lycanthropy great again."
"Worse, it's dysfunctional in so many of the same ways: Murky, witless, and plagued by laughable special effects...the hyper-realism of their design can't help but curdle into comedy after the film abandons its emotional core."
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