In early March 2022, when his country seemed in danger of falling to the Russians, it occurred to Leonid Marushchak, a historian by training, to call the director of a museum in eastern Ukraine to check that a collection of 20th-century studio pottery was safe.
When the historic traffic of artworks has so often been from Ukraine to Russia, Natalya Maksymchenko's final gift to her home town and country seemed like a statement of defiance.
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