The 2024 Turner Prize exhibition at Tate Britain, featuring a diverse range of international artists, is criticized as overly conventional and lacking aesthetic value.
The exhibition showcases an eclectic mix of media from the artists, including a three-metre-long replica of an Imelda Marcos bracelet and immersive soundscapes.
Pio Abad's work stands out for its historical and intellectual depth, drawing connections between various cultural artifacts and literary influences that provoke deeper understanding.
The sheer volume of artworks, described as running like 'dense stock inventories,' raises questions about the curatorial choices, suggesting overload rather than meaningful engagement.
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