Koresky highlights that in a post-millennium world, American cinema's approach to allegory may be faltering, as audiences may struggle with its depth.
Engaging with art post-election is complex, with critics attempting to weave meaning into cultural narratives that may not inherently possess any significance.
The struggle to create substantive allegories during significant social turmoil—like the Trump era—seems naive, echoing criticisms that have followed Shyamalan's works consistently.
Revisiting The Village after a major political event reveals deeper societal reflections, as its pastoral setting contrasts sharply against contemporary political disillusionment.
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