Dana Stevens reflects on her experiences at the New York Film Festival, where she unexpectedly found herself in discussions about the reputation she has developed for enjoying large-scale films.
Stevens expresses a nuanced opinion of 'The Brutalist,' stating that she liked it but didn't love it, emphasizing her unique viewpoint that the movie's second half was more engaging than its first.
The discussion includes memories of past interactions with filmmakers like Brady Corbet and Mati Diop, showcasing a shared passion and emotional resonance connected with the cinematic community.
In looking back at influential filmmakers like Theo Angelopoulos, Stevens highlights the significant impact of long-form storytelling in cinema, reinforcing her affinity for sprawling narratives.
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