The film does justice to this overwhelmingly moving event in British public life in a quietly affecting drama.
Everything in [Poor Things] gets a gasp of excitement.
The End We Start From is all the more disturbing, credible and immediate, unlike other disaster dramas.
What a unique talent [Paul] Giamatti is; it's a pleasure to see him play a movie lead, his first for a while, signaling a return to authentic drama.
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