Whitfield delves into his friendship with Inigo Philbrick, exposing the latter's fraudulent schemes ranging from overselling shares in artworks to falsifying documents.
Whitfield admits feeling shamefully duped by Philbrick and expresses disdain for the art market's deceptive practices and its top players, peppering recollections with vivid visual descriptions.
[
add
]
[
|
|
...
]