Rogiński's interpretations transform classic Coltrane compositions into haunting renditions, with songs like "Naima" adhering closely to the original while also imbuing them with his unique style.
The inclusion of original works inspired by Langston Hughes introduces a poignant contrast to the album’s tonal atmosphere, showcasing deep emotional layers through Przybysz's haunting vocals.
Skepticism may arise regarding a white European interpreting Hughes' work, yet the poem resonates with Rogiński's personal history of trauma and collective memory.
Rogiński's music reflects a metaphysical essence that transcends cultural boundaries, drawing parallels between his experiences and the historical weight captured in Hughes' poetry.
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