In her essay, Virginie Despentes criticizes the impunity surrounding figures like Roman Polanski, viewing the protest at the Césars as a necessary and courageous stand against normalized abuses in cinema.
Despentes highlights that the actions of Celine Sciamma and Adele Haenel at the Césars symbolize a collective refusal to tolerate patriarchal violence, thereby igniting conversations around moral responsibility in the arts.
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