Halpern's work captures the stark contrasts of Buffalo by showcasing both its natural beauty and industrial decay, revealing the complexities of a city in decline.
Halpern reflects on his childhood fascination with faces during his visits to Buffalo, a theme that runs throughout his photography in 'King, Queen, Knave', exploring proximity and identity.
Through his lens, Halpern aims to immortalize Buffalo's essence, navigating both personal memories and the prevailing issues of industry decline, capturing the enduring spirit of a faded city.
His Pentax 67 camera restricted him to 12 exposures per film roll, challenging him to meticulously examine and portray the intricacies of his home environment.
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