O'Grady's float at the African American Day Parade was a conceptual statement against the belief that avant-garde art is disconnected from Black identity, inviting public participation.
The joyous interactions of parade-goers with her float reinforced the notion that art is not only in galleries, but also in communal and cultural expressions of identity.
Reflecting on her experience, O'Grady found it exhilarating and pointed out that the engagement was spontaneous and heartfelt, challenging the boundaries of traditional art.
Later, O'Grady discovered the impact of her float was more significant than she realized, as evidenced by hundreds of slides capturing the moment, showcasing the community's connection to art.
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