John Lyons, an artist from Trinidad and Tobago, draws inspiration from his homeland's folklore, which includes figures like the jumbie-owl and the soucouyant. His major exhibition, Carnivalesque, showcases six decades of his artistic evolution, characterized by vibrant colors and themes of joy and danger. Having moved to the UK in the late 1950s, Lyons faced challenges as a Black artist, yet he played a pivotal role in building a Black arts community while teaching and creating. Now at 91, he views his retrospective's recognition as a pivotal moment, embodying resilience and pride in his heritage.
Lyons reflects on his childhood in Trinidad and Tobago, where folklore shaped his imagination, particularly figures like the jumbie-owl and soucouyant, embodying both horror and heritage.
His survey, Carnivalesque, captures over six decades of his artistry, blending vibrant colors and brushwork to evoke the dualities of ecstasy and brooding chaos inherent in his subjects.
Facing racial barriers in the UK art scene post-graduation, Lyons established a grassroots Black arts community, paving the way for future generations of Black artists.
At 91, Lyons sees his retrospective as a reflection of his journey, noting how the folkloric themes of survival and self-respect have been integral to his artistic expression.
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