Inside The New Yorker's Fiction Department
Briefly

A Texas community is heavily dependent on its volunteer fire department due to recent disasters. The fire department serves as the backbone of support in the area, highlighting the vital role of local volunteers in emergency response. Additionally, questions about writing are addressed by Deborah Treisman, New Yorker’s fiction editor. She emphasizes the importance of imperfect first drafts and suggests that memorable stories leave lasting impacts on readers. Tales with emotional depth and varied elements, like humor and subtexts, resonate strongly with both authors and readers alike.
The first draft should allow you to get everything down, and the second should allow you to turn that into a story.
We're looking for a story that will affect us, be it through its plot, its language, its humor, its voice, its subtexts, its imagery, or anything else.
If we read a story and cannot forget it, that's a very good sign.
It sounds as though you're expecting yourself to write a perfect first draft. My advice would be to allow yourself to write a very imperfect one.
Read at The New Yorker
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