Inside Out 2 starts to get a little weird as it builds on its initial premise, with new characters that intrude on Riley's story rather than enhance it.
The interior world feels less like a reflection of one person's psyche, as the metaphor becomes overextended and the original essence of the first film gets lost.
Filmmaker Pete Docter suggested Pixar's future films should reflect a commonality of experience rather than any director's catharsis, shifting the studio's narrative focus.
The sequel raises questions about whether Riley's emotions represent a developing consciousness or if she is merely a vessel being cartoonishly controlled.
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