This approach allowed Sirui to capture moments that wouldn't have been possible if the series was entirely staged, letting her lead on intuition; she allowed herself to be drawn to moments that intrigued her rather than planning ones she thought she should be taking.
The time of day in which Sirui has chosen to shoot, and the resulting tones and light exposure give the series a dream-like, ethereal feel, something also accentuated by her shots of nature; two pristine deer making their way through a field or the strong branches of a tree reaching up out of shot.
"I've been fascinated by them for a while," says Sirui. "Not quite animal or plant, mushrooms have these almost alien qualities to them."
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