In her video installation Night Sutra (2024), Han Mengyun presents her own stretch marks enlarged and celebrated, rejecting cosmetic erasure traditionally associated with motherhood.
Curator Vera Mey highlights the importance of gender balance in the Biennale, acknowledging the influence of David Graeber's work on recognizing women’s contributions.
The exhibition interweaves the themes of Buddhist ideals and pirate utopias, offering multiple perspectives that challenge established narratives in contemporary discussions.
Night Sutra serves as a potent reminder of the complexities surrounding motherhood, showcasing postpartum realities through an artistic lens that favors neutrality and celebration.
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