Edgar’s works intertwine theatre history and contemporary issues, exploring themes of political manipulation and friendship strains, linking modernity with the Style of Shakespeare.
In discussing his eye injury, Edgar reflects, 'It’s getting better but it’s worse when I’m tired,' indicating how personal struggles can influence artistic creation.
With plays reflecting on the rise of Trumpism, Edgar comments on the cyclical nature of politics, stating his new works mirror significant historical relevance.
The duality of Edgar’s latest pieces invites an examination of moral dilemmas within political narratives, reminiscent of Shakespeare's exploration of power and betrayal.
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