In a tradition dating back to the Heian period, people across Japan usher in the New Year by first doing a deep clean of their quarters, highlighting the necessity of this ritual to invite the deity Toshigami.
The Ota Memorial Museum features a striking ukiyo-e print depicting animals performing the ritual cleaning, portraying a whimsical yet profound cultural commentary on communal efforts for renewal as seen through the perspective of nature.
Nicolas Krief’s documentation of art handling captures the seriousness and teamwork involved in moving precious artworks in major institutions, showcasing the respect and care underlying the art world’s logistics.
The photograph of the Mona Lisa standing alone under security highlights the isolation of great artistry amidst the hustle of art handling, juxtaposing loneliness with the weight of historical significance.
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