I don't talk to my actors on set, and I don't discuss psychology in general. I believe that the choreography and the blocking communicate the characters' psychology-it's not a conversation for me to have with them.
Everything is figured out on set. It's through [the actors'] flesh that you have to find the beauty and the ecstasy that's possible between them-not before. If there's any forethought, it's the night before in a state of panic.
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