In Larissa Sansour's exhibition at Amos Rex, her works explore displacement and inherited trauma through science-fiction narratives, reflecting on Palestinian experiences and broader themes of alienation.
The film 'In Vitro' depicts a dystopian future in Bethlehem, exploring ecological disaster, cloning, and the impact of accelerated climate change through the lens of inherited trauma.
Burying porcelain plates in Palestine and Israel, Sansour's 'Archeology in Absentia' calls attention to forgotten histories, with engraved bronze munitions marking their coordinates.
Through her installation 'Monument for Lost Time', Sansour emphasizes the importance of memory in the face of erasure, advocating for recognition of the past and its narratives.
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