In Robert Eggers' Nosferatu, reactions to Ellen's erotic desires for Count Orlok ranged widely; some viewers found the film just right while others demanded more horniness.
Bram Stoker's Dracula (1992) epitomizes campy over-the-top eroticism, displaying unapologetic horniness through its characters and decadent visual storytelling.
The characters in Bram Stoker's Dracula revel in eccentric relationships, such as Lucy's ambitious suitors and Jonathan's bizarre ghostly encounter, showcasing not just sexual tension but playful intimacy.
Eggers' approach in Nosferatu contrasts with Coppola's vision where all characters exude sexual energy, which some argue diminishes the magnetism of the narrative.
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