This Is Love for Precarious Times
Briefly

Too Much portrays Jess, a New Yorker in advertising, moving to London after a breakup. Encountering Felix, a broke musician in a pub toilet, they share awkward moments of connection. Despite the engaging performances of Stalter and Sharpe, their chemistry is weak, and the romance feels forced. The show deliberately presents a slack, unromantic narrative where Jess and Felix's relationship develops not from genuine interest but from a lack of better options, challenging conventional romantic tropes.
Too Much feels visually flat and unfunny, relying heavily on Anglo-American culture clashes for charm rather than genuine comedic or romantic elements.
Jess and Felix couple up not because they're giddy with feeling, but due to inertia, showing a slack, unromantic approach to love.
Read at The Atlantic
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