The article explores the concept of hauntology, initially popularized by Burial and critics like Mark Fisher, particularly how it resonates within Latin American electronic music. It highlights how the themes of nostalgia, melancholy, and cultural impasse are vividly captured in the works of artists like Lucrecia Dalt and Debit. Latin America's turbulent history of colonialism and failed futures offers a profound context for these hauntological expressions, suggesting that the region, while often overlooked, holds a significant place in the broader narrative of this music genre.
Hauntology, as a concept, navigates the blurry terrain of nostalgia and loss, capturing the ghostly echoes of a cultural impasse in 21st-century music.
Latin American electronic music embodies hauntological themes, drawing on histories of colonialism, migration, and neoliberalism, deeply resonating with the ideas articulated by Mark Fisher.
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