FilmWatch Weekly: Tilda Swinton and Michael Shannon sing in 'The End,' Richard Gere regrets in 'Oh, Canada,' and much more * Oregon ArtsWatch
Briefly

Oppenheimer's new film uniquely blends musical elements with dystopian themes, presenting a family in a bunker unaware of the world’s true fate. Its boldness is overshadowed by uneven vocal performances.
The film’s use of music as a narrative device attempts to enhance the surrealist elements of the storyline, but ultimately detracts from character development and storytelling coherence. The result is a disjointed experience.
Read at Oregon ArtsWatch * Oregon Arts & Culture News
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