The End uses the musical genre to explore themes of false hope and existential despair in a post-apocalyptic setting.
FilmWatch Weekly: Tilda Swinton and Michael Shannon sing in 'The End,' Richard Gere regrets in 'Oh, Canada,' and much more * Oregon ArtsWatch
Oppenheimer's latest film merges musical storytelling with a dystopian narrative but struggles with execution and character depth.
Review | 'The End' is a musical family drama for the postapocalypse
"The End" is a unique and ambitious post-apocalyptic musical that explores family dynamics and existential themes, albeit with mixed execution and engagement.
'The End' is an Endless Slog Through the Apocalypse
The End is an intriguing but largely unsuccessful attempt at blending apocalyptic themes with musical elements.
The musical at the end of the world
The End uses the musical genre to explore themes of false hope and existential despair in a post-apocalyptic setting.
FilmWatch Weekly: Tilda Swinton and Michael Shannon sing in 'The End,' Richard Gere regrets in 'Oh, Canada,' and much more * Oregon ArtsWatch
Oppenheimer's latest film merges musical storytelling with a dystopian narrative but struggles with execution and character depth.
Review | 'The End' is a musical family drama for the postapocalypse
"The End" is a unique and ambitious post-apocalyptic musical that explores family dynamics and existential themes, albeit with mixed execution and engagement.
'The End' is an Endless Slog Through the Apocalypse
The End is an intriguing but largely unsuccessful attempt at blending apocalyptic themes with musical elements.