"For Michella Bredahl, it meant sharing a major milestone with her mother her first museum exhibition, Rooms We Made Safe at Huis Marseille in Amsterdam sequencing a tender dialogue of images shot by both of them to explore themes of healing and maternal love. Isabel MacCarthy used her camera to navigate the painful experience of grief, while John Yuyi took stock of years spent on the road, leaving behind home,"
"the images still elicit a ripple of shock. Emerging from a space somewhere between compliance and subversion, the artist started the project after graduating from art school while working a temp job in a corporate office in the Square Mile. She began photographing women performing acts of public urination in office attire after nightfall, outside MI6 and among the City's stately buildings, shooting them standing up the way their"
Women artists in 2025 engage surrealism, memory and lived experience to produce work across photography and installation. Hanna Moon invoked Dorothea Tanning to frame contributions from a circle including Rosie Marks and Jet Swan. Michella Bredahl collaborated with her mother to sequence images for Rooms We Made Safe at Huis Marseille, investigating healing and maternal love. Isabel MacCarthy used photography to navigate grief. John Yuyi reflected on nomadic life and the relinquishing of possessions and routine. Sophy Rickett’s Stream confronts urban norms and gendered behavior by photographing women urinating in office attire, provoking continued shock and debate.
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