The article explores the enduring belief in photography as an ultimate truth, contrasting it with the reality of photo manipulation throughout history. From Lincoln to contemporary political propaganda, the urge to alter images for narrative purposes is pervasive. Early photo manipulation, often for PR or propaganda, illustrates the medium's susceptibility to distortion, debunking the myth that 'the camera never lies.' By examining examples like Lincoln's doctored portrait, the article emphasizes that photography has been a tool of fabrication and influence since its inception.
The manipulation of photographs for propaganda dates back to the earliest days of photography, revealing a longstanding human tendency to distort reality for various motives.
People have been doctoring photos, manipulating and meddling, from the start, showing a persistent ambition to project certain images to the public.
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