
"the photos depict swirling cloudscapes blown out in inverted whites, timelapsed ribbons of light in the night sky and whispery moments of sleep - in one photo, Amani observes his child's dusky image through an iPad screen. "It's about coming face to face with my younger self, allowing him to rest, and ultimately emerging as a new version of myself - imperfect, but transformed by the act of confronting and understanding these traumas," says Amani."
"It's a complete act of turning inside out, an inversion as severe as the photo of birds so white against the black sky that they look like starling-shaped holes in the world. The book's narrative mirrors Amani's lived experience of touching death's own vapour - in Invisible Sun, when the viewer sees a figure standing in a serene body of water, they also see Amani's own metaphysical baptism, turning vapour to water, the unreal to the real, death to rebirth."
Images move between a haze of memory and the clarity of the present, showing overexposed cloudscapes, timelapsed ribbons of light and whispery moments of sleep. A central motif places a child's dusky image viewed through an iPad beside scenes that confront a younger self, allowing rest and the emergence of an imperfect, transformed self. Visual inversions recur: white birds against a black sky read as starling-shaped holes, and a figure in water functions as a metaphysical baptism, turning vapour to water, death to rebirth. A whiteout culminates in a newborn image that symbolizes renewal and leaves interpretation open. The imagery maps sensations associated with ketamine-assisted therapy using ghostly monochrome, overexposure, dreamlike colours and natural mazes.
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