Friendship and Hard Work Amid Italy's Anti-Immigrant Rhetoric, in "Fratelli Carbonai"
Briefly

Nazareno Scrivo's dedication to charcoal making is underscored by his early mornings and concern over the weather, which can ruin his labor. 'Bad weather for making charcoal,' he states, reflecting on the precariousness of his craft. The nature of his work, reliant on manual labor and traditional skills, encounters modern challenges, including economic and political tensions that shape their lives and livelihoods in Calabria, highlighting the endurance of ancient practices in the face of contemporary struggles.
The filmmakers, while documenting Nazareno and his fellow carbonai, reveal how the ancient craft of charcoal making intersects with modern Italy's political landscape. With the rise of Giorgia Meloni, they noted a stark change in local attitudes and the atmosphere surrounding their film-making. The context of their story shifts dramatically between the rich history of carbonai and current social issues, showcasing how local communities are influenced by broader political shifts.
Fofana’s story adds another layer to this narrative of struggle and survival. After fleeing Mali, he found an unexpected path in the traditional charcoal industry in Calabria. His bonds with the local charcoal makers, despite cultural and national differences, highlight a shared resilience. Fofana recalls his late boss as a beacon of kindness that stood out amid adversity, signifying that even in tough economic circumstances, personal connections and resilience can forge a way forward.
The juxtaposition of traditional charcoal making with the contemporary socio-political environment encapsulates a deeper narrative about identity and survival. The resilience of carbonai like Nazareno and his crew amidst harsh seasonal conditions mirrors the broader struggle of communities in the face of political upheaval. Their art, once merely a means of make a living, now stands as a symbol of resistance and cultural pride against the backdrop of Italy's shifting political landscape.
Read at The New Yorker
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