Weill aptly noted that with the death of Ferruccio Busoni in 1924, one of the greatest artistic personalities had passed, marking the end of an era.
Busoni's profound respect for the past allows him to be considered the first postmodern composer, viewing music history as a cohesive entity rather than a chronology.
His compositions, filled with historical allusions yet featuring new sounds, often stood outside the main musical trends of his era, highlighting his unique voice.
Busoni’s monumental influence as a teacher, whose lineage extends into modern times, offers valuable insights into the possibilities of music composition and creativity.
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