A newly reissued book, 'Murals of New York City,' celebrates the beauty and significance of 32 iconic public murals across New York City. Authored by Glenn Palmer-Smith, an art scholar, the book uncovers the fascinating and often sordid stories behind these remarkable artworks. Palmer-Smith highlights the permanence of murals and their artistic freedom, showcasing city life from its vibrant offices to its public transit. The book reveals intriguing connections, like the scandal of a mayor's mistress depicted in a courthouse mural, emphasizing the rich narrative woven into the city's public art.
Palmer-Smith highlights the artistic freedom in murals, noting, 'That's the beauty of murals. Nobody is going to get up there and paint it over.' This underscores the permanence and artistic license that murals enjoy in the public space.
According to Glenn Palmer-Smith, the murals capture a unique narrative, stating, 'It's probably the greatest collection of popular art in the world...the breadth, the variety, the expertise.' His words reflect the rich diversity found in public art.
Palmer-Smith recounts the scandal connected to one mural, explaining, 'The woman who posed for the painting was Betty Compton, the mistress of NYC mayor Jimmy Walker, who served the city from 1926 to 1931.' It exemplifies the hidden stories behind public art.
On the Radio City Music Hall mural, Palmer-Smith notes the public reception, highlighting, 'No one liked the Radio City Music Hall mural,' revealing the complexities of audience reception towards significant public artworks.
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