"We have the keyboards from the '80s, and the symphonic stuff that spans a good 200-year timeframe, everything from classical music to late romantic music in there. And so I think that's a great compliment, to call it surreal"
"The world that Barbie's occupying is kind of a surrealist world too, just from the giddy-up...So I think that probably informed us making music that had really bright colors in it and also stuff that was part of the inheritance of Western music."
"We were trying to find that zone where those things could live together. We went through a lot of iterations and trial and error. Because you know, we hadn't really scored a full film before."
Collection
[
|
...
]