The song harnesses the log-drum beat and sparse, subterranean bass lines of South African amapiano as Tyla worries that 'This feels too good to be true.'
For three frantic minutes, self-consciousness is no match for pheromones
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The song harnesses the log-drum beat and sparse, subterranean bass lines of South African amapiano as Tyla worries that 'This feels too good to be true.'
For three frantic minutes, self-consciousness is no match for pheromones