On Daddy's Home's successor, she still trades in finely painted portraits of others, but she is no longer using an alter ego to paint them. I'm more interested in that which is raw and essential, she recently told an interviewer.
Whatever her reasons, Clarke's new interest in the raw and essential plays out across All Born Screaming. Instead of a lavishly costumed persona, the album's cover features Clarke on fire, and the songs are full of people who as she perhaps does...
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