Today’s animated movies have shifted away from traditional villains, focusing more on abstract antagonists such as a child’s insecurities or family pressures, especially in films like Strange World and Encanto.
In films like Moana 2, the villain manifests as a storm, representing broader obstacles instead of traditional characters, showing how the nature of antagonism in storytelling has evolved.
Pilar Nunez Delgado highlights a paradox in protecting children – we avoid presenting them with villains while allowing more exposure to complex social issues through narratives.
With the rise of films like Spellbound, we see traditional hero-villain dynamics replaced by personal struggles, signaling a significant shift in the narratives aimed at young audiences.
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