Adam Lampton reflects on his early experiences in Macau, a region he found daunting and foreign due to its intense gambling culture, saying, 'I didn’t have any money to spare – it all went on camera film.' His observations capture the essence of a place where tourists flock primarily for gaming, contrasting with his non-gambling background. As an American photographer, he epitomizes the curiosity and challenges faced by those unaccustomed to Macau's bustling casino-centric environment.
Lampton's photography book, Nothing Serious Can Happen Here, encapsulates his view of Macau's evolution from 2006 through subsequent visits. He notes, 'The Chinese government is very entrepreneurial. They want to experiment with different forms of government,' highlighting a juxtaposition between the gambling industry and the unique cultural shifts occurring in the region as it strives to redefine its identity beyond mere tourist attractions.
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