Risograph printing, cherished for its analogue charm, serves as a tool for both artistic expression and community organization, reflecting its dual cultural significance in Japan.
Originally developed in the 1980s by Riso Kagaku, the Risograph integrates master stencil creation and printing in one device, making it a low-cost and efficient option for various institutions.
Despite its international recognition in the arts, 90% of Risograph usage in Japan primarily supports schools and government offices, highlighting its practical roots in society.
In collaboration with director Neo Sora, promotional materials for the film HappyEnd utilized Risograph prints to blend creative expression with giving back, showcasing the medium's capabilities for activist support.
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