Rob Tregenza's new film "The Fishing Place" confronts the Nazi occupation of Norway during WWII through a unique aesthetic and bold narrative twist. Set in a remote village, the film follows Anna, a woman released under Nazi supervision, who must spy on a suspicious priest. Known for his meticulous cinematography, Tregenza uses elaborate camera techniques to enhance the storytelling. This historical drama opens on February 6 at MOMA and continues Tregenza's exploration of dark themes in democratic contexts, revealing contemporary authoritarian undercurrents.
The best filmmakers, looking to the past, see the future. Filmmakers depict historical horrors of the extreme right, revealing hidden authoritarian infections in democratic politics.
Tregenza confronts the Nazi onslaught during WWII with a daring aesthetic and a distinctive narrative, boldly wrenching the subject into the present tense.
Set in a remote Norwegian village, "The Fishing Place" centers on Anna, who must spy on a suspicious priest under Nazi supervision.
Tregenza's style involves elaborate camera moves, with a cinematic technique that reflects his artistry and unique storytelling approach.
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