In 2024, Broadway thrived while Off-Broadway struggled, highlighting the necessity of a thriving artistic ecosystem for the city's cultural vitality.
The Pulitzer finalist 'Public Obscenities' moved to a larger venue, showcasing the importance of nonprofit spaces in launching successful productions.
This season's productions leaned towards fabulousness and communal feelings, with many shows embodying a spirit of survival and togetherness among audiences.
Ossie Davis once claimed, 'The theatre is a church.' This year reaffirmed that sentiment, as audiences gathered like congregations in various productions.
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