In King, Queen, Knave, Gregory Halpern captures the poetics of everyday life in Buffalo, showcasing its abandoned spaces and the people who inhabit them.
Halpern describes Buffalo as a vast stage filled with a diverse cast, where regions such as the Old First Ward introduce surreal characters like a white deer named April.
The city’s quiet, snow-covered streets become a canvas for Halpern, who finds beauty in loneliness, often photographing in snowstorms where he encounters solitude.
Halpern's photographs illustrate an emotional connection to Buffalo's landscape, portraying its transformation from an industrial hub into an environment rich with poetic possibilities.
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