Kidman revealed that her husband, Keith Urban, has the word 'babygirl' tattooed on his neck, exhibiting a personal connection even before the film was made. She joked about the title's implications, stating, 'Keith's not allowed to call anyone else Babygirl.' This indicates a unique blend of affection and possessiveness, emphasizing how intertwined their personal lives are with the film's theme.
In discussing the film's title, Kidman mentioned, 'But now, because of the film, it's taken on a different meaning. So he's like, 'No, I still have total rights over Babygirl!'' This statement reflects her recognition of how their personal relationship influences the project and vice versa, showing the multifaceted nature of their bond.
Urban’s expression of admiration for Kidman highlights how their relationship impacts his artistic endeavors. He shared, 'It fires me up a bit more; I try to impress her.' This showcases the emotional dynamics of their partnership, where mutual support fuels their individual careers.
Kidman is central to Urban's creative process, often being the first audience for his new music. He stated, 'When I play her something, I'm obviously interested in her reaction - but I'm really interested in how I feel when I'm playing it for her.' This quote encapsulates the essential role she plays in both his personal and professional life.
Collection
[
|
...
]