"RaMell Ross considers himself more of a visual artist than a movie director. His second film, Nickel Boys, attempts a visual artist's feat: a feature shot entirely from the first-person point of view... Nickel Boys presents the first person to achieve the opposite: quiet intimacy."
"The first-person vantage point does something clever: when we're seeing things through Elwood's eyes, we're mostly looking at Turner, and vice versa. The effect is startling and, in its best moments, sublime."
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