Frost-soft pastels printed on rich maple wood panels, muted color stories of explosive personalities, nightlife performers on a sunlit beach, striking poses born from breaking down the contemporary urge to constantly strike poses.
Chaotic/tidy. Vulnerable/composed. Warm/cold. Present/dreaming. Subtle/contrast. These liminal spaces are inherently queer. Neither this nor that but both, all, any and constantly questioning.
Each was asked to pause their own push and pull to just be there. To me, that is beauty-what we see when you are not thinking about being viewed.
The fabulous figures portrayed in 'Final Selects One' are disarmingly eccentric and often ethereally gorgeous, but at the same time they simply reflect Kraman's everyday encounters.
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