Xie Lei's work resonates with Jean Genet and Albert Camus through its exhibition titles but transcends them, promoting ambiguous explorations of existence and identity.
In his paintings, features of figures evade categorization based on gender, race, or class, illustrating a concept of disidentification that urges viewers to move past identity.
The omission of articles in exhibition titles prompts reflections on undefined songs and deaths, signaling deeper ambiguities present in Xie Lei's artistic practice.
Xie Lei combines oil painting techniques and exploratory psychoanalysis, illustrating how his work moves towards a dreamlike state that transcends traditional representations.
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