These are mellow improvisations, easy to zone out to, but also playful and surprising, enhancing the listening experience through unexpected electronic processing and tempo changes.
The piece, 'Late Autumn,' is comparatively impressionistic, with Parker's guitar weaving through a fog of cymbals while Johnson's horn evokes a sense of weeping.
'Easy Way Out' carries a slightly unnerving drift akin to Miles Davis' 'Nefertiti,' challenging listeners to consider both the changes and the constant elements in longform music.
The superb fidelity captured in The Way Out of Easy enhances the overall experience, allowing listeners to fully engage with its intricate details and improvisational layers.
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