Guy Maddin's Movie Rumours' Is Almost Normal
Briefly

Maddin's early experimentation with lighting during 'The Dead Father' inadvertently led to a unique cinematic style, blending personal story with 1920s German expressionism.
The distinctive visual style that emerged from Maddin's accidental choices created a new narrative space for exploring themes of nostalgia and memory in cinema.
Maddin found that his stylistic decisions were not just technical, but deeply intertwined with his personal experiences and thematic aspirations, specifically his relationship with his father's memory.
Through his idiosyncratic films, Maddin has developed a signature approach that reflects both a reverence for the past and a commitment to unique storytelling.
Read at www.nytimes.com
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