The revival of Tobias Kratzer's Fidelio production prompts reflections on our responsibilities in the face of injustice, aligning with Beethoven's themes of liberty and love.
In Act II, the stark contrast between Florestan's suffering and the indifference of the audience forces viewers to confront their own apathy towards those in distress.
The striking designs of Rainer Sellmaier set a picturesque scene in Act I, while the jarring shift in Act II questions how society witnesses injustice.
Kratzer’s interpretation of the opera challenges audiences to reflect on the societal implications of their own actions, mirroring the moral dilemmas presented in Beethoven’s work.
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