Vasconcellos has documented desert landscapes in the U.S. that serve as final resting places for commercial airliners and military jets, emphasizing the forgotten stories of scrapped vehicles.
"Seeing an image like this is to make clear that there is no 'throw away.' This volume of things that are in the work... they are out there", Vasconcellos states, illustrating the permanence of discarded items.
The title 'OVER' references excess and the overflow of visual information in contemporary society, prompting viewers to reflect on consumption and waste.
His work captures a dramatic impression of sprawling cities, drawing attention to the contrast between urban infrastructure and abandoned relics of human transit.
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